At our Graduate Student Happy Hour on January 10th, we had the pleasure of hosting the Vis-à-Vis Society. During the event they conducted experimental poetry using write-in survey questions. Here are the composite poems from their findings!
Composite poem from the Vis-à-Vis Society. The Vis-à-Vis Society’s poem-survey asked people to choose an object in the Mitchell Exhibition “Like a Valentine,” listen closely, and then write down what the object said.
This Sunday, the Henry is hosting an afternoon of camaraderie as we gather to celebrate Seattle’s BFF, Jeffry Mitchell, on the occasion of the exhibition, Like a Valentine. The afternoon will feature tours led by friends of Jeffry at 2pm followed by an afternoon reception and chainsaw bear sale. Choose from a selection of handcrafted chainsaw bears selected by Jeffry and Claude Zervas from locations around the Olympic Peninsula.
Sunday, December 9 1:00 – 3:00 PM Molly’s Cafe & Sculpture Court FREE for Henry Members, Students, and UW Staff & Faculty $10 General Audience
In conjunction with Like a Valentine: The Art of Jeffry Mitchell, Favorite Art Projects has created a Popup Shop in the Henry with art from Northwest artists inspired by Jeffry Mitchell.
The physical shop is open Wednesday, Saturday, and Sunday: 12 to 4
Thursday and Fri: 12 to 8
The virtual shop is always open.
Spontaneous Haiku inspired by Bear Hug:
the articulate chainsaw
bear hug, bear hug. YES!
And a little diddy, sung to the tone of “Reading Rainbow”:
Come to the Henry tomorrow for this month’s Focus Tour! The 30 minute tour will be led by UW School of Art faculty and artist Claire Cowiewho will guide visitors through Like a Valentine: The Art of Jeffry Mitchell. The tour starts at 12 and will leave you with enough time to grab a sammy at Molly’s all within your lunch hour!
From painting to sculpture to photogravure, the work produced by Seattle-based artist Claire Cowie conjures up a bizarre menagerie, replete with composite creatures and exotic locales. Haunting disembodied figures populate her landscapes; they appear at once otherworldly and familiar as they beckon the eye and the imagination. Her collages, watercolors, and prints recall Chinese and Japanese landscape painting traditions. Using a minimum of strokes she achieves deep spaces, producing dreamlike landscapes that recede into the distance. Claire received her BFA in Drawing and Printmaking from Washington University in St. Louis in 1997, and her MFA in Printmaking from the University of Washington in 1999. She is locally represented by James Harris Gallery.