VIEWPOINTS: Sol LeWitt on view through Sept 7

LeWitt’s Squares are specifically reminiscent of faceted classification, a library development most commonly seen in e-commerce, allowing shoppers to search, browse, and filter merchandise by categories like color, size, and price. We experience such interactions every day, yet, like LeWitt’s art, we only see the surface presentation, never thinking about the work that goes into creating the rules and guidelines that make such interactions possible. — Rachel Ivy Clarke, PhD Candidate, Information School

This iteration of VIEWPOINTS features Red, Yellow, Blue and Gray Squares, Bordered By a Black Band (1989). These four aquatint prints by Sol LeWitt, are exactly as the title describes: a colored square surrounded by a black border. Prioritizing idea over craftsmanship, LeWitt saw the artist in a role similar to that of an architect; the person who designs a building but does not build it. He developed his artistic vocabulary from basic geometric structures and how they are transformed by using these fundamental elements as regular repeated modular units or in a series which explores a range of possibilities in a logical, preset sequence. LeWitt was fascinated by the multiplicity of things that can be generated by a simple idea.

From left, Rachel Clarke, PhD Candidate, Information School;  Huck Hodge, Assistant Professor, School of Music; and Jay F. Neitz, Professor, Department of Ophthalmology and Adjunct Professor, Department of Biological Structure.
From left, Rachel Clarke, Huck Hodge, and Jay F. Neitz.

A rotating series, VIEWPOINTS presents new combinations of artworks and voices, emphasizing how works from the Henry’s permanent collection can inspire and provoke new dialogues and thoughts. LeWitt’s four prints are displayed alongside the voices of three UW faculty members: Rachel Clarke, Pre-doctoral Lecturer, Information School;  Huck Hodge, Assistant Professor in Composition, School of Music; and Jay F. Neitz, Professor, Department of Ophthalmology. These three were specifically selected to respond to LeWitt’s artwork based on their research and teaching interests. We believe multiple voices can help expand our understanding of a work of art, cast a new light on overlooked details, and open our minds to new ideas.

VIEWPOINTS: Sol LeWitt will be on display on the mezzanine from June 6 through September 7.

Come and read each faculty response, and then create your own!




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